Search Results

You searched for:

Your search found 466 results in 1 resource

Category

  • Literary Manuscripts (466)
  • Non-literary Manuscripts (0)
  • Official Documents (government, civic, legal, religious) (0)
  • Literary Printed Books (0)
  • Non-literary Printed Books (0)
  • Maps and Works of Art (0)

Format

Date

  • 1000 – 1124 (0)
  • 1125 – 1249 (0)
  • 1250 – 1374 (0)
  • 1375 – 1500 (0)

Access Type

TEAMS Middle English Texts Series icon

TEAMS Middle English Texts Series

466 results from this resource . Displaying 201 to 220

was "sprung from the royal race and family of David" (1:1, in Lost Books of the Bible [Cleveland and New York: World Publishing Company, 1926]), p. 17. 11 ful of hape. The word hape is rich in meaning. For this

1927; rpt. New York: Johnson, 1973); Mary G. Houston, Medieval Costume in England Mary G. Houston, Ancient Greek, Roman and Byzantine Costume and Decoration, 2nd ed., A Technical History of Costume, vol. 2 (London: Adam rpt. New York: Barnes Joan

was "sprung from the royal race and family of David" (1:1, in Lost Books of the Bible [Cleveland and New York: World Publishing Company, 1926]), p. 17. 11 ful of hape. The word hape is rich in meaning. For this

was "sprung from the royal race and family of David" (1:1, in Lost Books of the Bible [Cleveland and New York: World Publishing Company, 1926]), p. 17. 11 ful of hape. The word hape is rich in meaning. For this

was "sprung from the royal race and family of David" (1:1, in Lost Books of the Bible [Cleveland and New York: World Publishing Company, 1926]), p. 17. 11 ful of hape. The word hape is rich in meaning. For this

in the Early Italian Renaissance," Beyond Their Sex: Learned Women of the European Past, ed. Patricia H. Labalme (New York: New York University Press, 1980), pp. 66-90. Many medieval Englishwomen would, however, have appreciated Katherine's reluctance to give up the

London, New York: Longmans, Green and Co., 1900. Be: Larry D. Benson, ed. King Arthur's Death. Indianapolis and New York: Bobbs-Merrill Company, Inc., 1974. Bj: Erik Bjorkman, ed. Morte Arthure. Alt- und mittelenglische Texte, 9. Heidelberg and New York: Carl

London, New York: Longmans, Green and Co., 1900. Be: Larry D. Benson, ed. King Arthur's Death. Indianapolis and New York: Bobbs-Merrill Company, Inc., 1974. Bj: Erik Bjorkman, ed. Morte Arthure. Alt- und mittelenglische Texte, 9. Heidelberg and New York: Carl

London, New York: Longmans, Green and Co., 1900. Be: Larry D. Benson, ed. King Arthur's Death. Indianapolis and New York: Bobbs-Merrill Company, Inc., 1974. Bj: Erik Bjorkman, ed. Morte Arthure. Alt- und mittelenglische Texte, 9. Heidelberg and New York: Carl

Exeter: University of Exeter Press, 1993. [Based on the Bodleian (Douce) MS.] Rickert, Edith. Early English Romances in Verse. New York: Cooper Square Publishers, 1967. [Modernized text.] Weber, Henry. ed. Metrical Romances of the Thirteenth, Fourteenth, and Fifteenth Centuries. 3

a wooded locale. 18 See Michel Foucault, Madness and Civilization: A History of Insanity in the Age of Reason (New York: Vintage Books, 1973): "The madman's voyage is at once a rigorous division and an absolute Passage. In one sense,

Geburtstag. Philologica Germanica 1. Vienna: Wilhelm Braumller, 1974. Luria, Maxwell S., and Richard L. Hoffman, eds. Middle English Lyrics. New York: Norton, 1974. McCulloch, Florence. Mediaeval Latin and French Bestiaries. Second ed. University of North Carolina Studies in the Romance

a dramatization of the story found in Genesis 4:1–16. It bears comparison with the Cain and Abel plays in the York (Play 7), Chester (last half of Play 2), and Towneley Plays (Play 2). The idea of spiritual and earthly

performed in many parts of the British Isles and conti­nental Europe. The other existing English cycle plays such as the York Smiths’ Play (22) and the Chester Butchers’ Play (first half of Play 12) focus on the episode as Satan’s

is in his own scaffold on his throne, surrounded by his legal entourage. 177–80 The other English plays, except for York, do not charge Jesus with sorcery. The fifteenth-century punishment for treason (dragging by wild horses, drawing, and burning; or

The "whyte clothe" may suggest Jesus' innocence or priesthood (PP, p. 203n486sd). The same costume for Jesus is used in York Play 31 and Chester Play 16. 1–37 Satan's dense, alliterative cant (typical of dramatic tyrants) recalls Herod's rag­ing speeches

See "'Caim's Castles': Poverty, Politics, and Disendowment," The Church, Politics and Patronage in the Fifteenth Century, ed. Barrie Dobson (New York: St. Martin's Press, 1984), pp. 45-81. 120 such throng. For another vision of a plenitude of friars, see The

injunctions were promulgated in England by Archbishop John Pecham’s Lambeth Constitutions of 1281 (in Latin) and later by Archbishop (of York) John Thoresby, who charged John Gaytryge to translate his instructions for the people into what became the Lay Folks

values and power. Select Bibliography Texts Child, F. J., ed. The English and Scottish Popular Ballads. 5 vols. Rpt. New York: Dover, 1965. Vol. III, no. 117. Dobson, R. B., and J. Taylor. Rymes of Robyn Hode. London: Heinemann, 1976.

medieval London. In 1319 Cheap contained "mercers, pepperers, fishmongers, cheesemongers, bakers, poulterers, and cordwainers" (D. W. Robertson, Chaucer's London [New York: Wiley, 1968], p. 23). This Cheap in the west, near the Shambles and Newgate, should be distinguished from Eastcheap,

Cite this page:

"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 14 May 2024), https://www.manuscriptsonline.org/search/results?kw=york&sr=te&st=200